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78.73 --- Auditorium --- Compositeur --- Conservatoire --- Création artistique --- Enseignement --- Histoire --- Musique --- Pédagogie --- Paris (France) --- Muziekpedagogie --- Instellingen --- Frankrijk
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"Experimental encounters in music and beyond opens a necessary dialogue on experimental practices in the arts and negotiates their place in contemporary society. Going beyond the music-historical usage of the term "experimental", this book reimagines experimentation as an open working definition encompassing multiple forms of artistic attitudes and processes. The texts, images, and sounds offer multiple traces, faces, and spaces, revealing what experimentalism in music and the wider arts entails today. With perspectives from a range of disciplines - from choreography through composition to philosophy and beyond - the different experiences and artistic projects documented and discussed explore the complexity of experimentation in a way that is all the richer for being never-ending."--Page 4 of cover.
Music --- Arts --- Avant-garde (Music) --- Experimental music --- Musical avant-garde --- Avant-garde (Aesthetics) --- Experimental methods in the arts --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics. --- Experimental methods. --- Philosophy --- 692 --- Psychologie --- Avant-garde (Music). --- Composition (Music). --- Creation (Literary, artistic, etc.). --- Experimentelle Musik. --- Neue Musik. --- Creation (Literary, artistic, etc.) --- 21e eeuw --- België --- Artistiek onderzoek
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Le présent volume fait suite à trois ouvrages publiés par l'Académie royale de Belgique : "L'alphabet des circonstances" en 1981, "Image donnée, image reçue" en 1989 et "Signes ou traces" en 1997. Philippe Roberts-Jones y a rassemblé des textes rédigés en diverses occasions qui traitent de la création, du destin de l'oeuvre d'art et des amitiés qui le lient aux artistes, écrivains et critiques d'art. L'auteur évoque les "correspondances" entre la littérature et les arts plastiques, tant chez Paul Claudel, Jean Cocteau qu'André Malraux et propose des études sur Ensor, Delvaux, Magritte ou Zadkine, sans oublier les pages sur Bruegel ou les marbres du Parthénon et les problèmes que pose l'art contemporain.
Art --- Aesthetics. --- Esthétique --- Philosophy. --- Philosophie --- 700.1 --- Arts Philosophy and theory --- Esthétique --- Analyse de l'art --- Création artistique --- Rapport du créateur à l'objet créé --- Kunstwerken --- Literatuur --- Beeldende Kunsten --- Brieven
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